digitalism present their long awaited debut album incl. all the big hits. sure-shot ! there are loads of rock bands making music for the dancefloor. digitalism make electronic music that everyone can rock to. heres the first album from digitalism presented in a luxurious gatefold dlp !! for the past two years, they have been the go-to men for indie remixes, having reworked the klaxons, the test icicles, cut copy and the futureheads, to devastating effect. digitalism hail from hamburg. isi, the german born son of turkish immigrants, met jens, the child of a liberal family, at the citys underground solution record store. moelle was the first find employment there, towards the end of the 1990s. when he took leave from the shop to devote more time to his school work, isi filled. later jens returned, and the pair worked alongside each other: jens in the shop, and isi at the attendant record distribution business. they soon bonded over their shared love of dance and rock records.

john acquaviva, julio navas and david amo have joined forces! having been at the vanguard of music & technology, creating the legendary label plus 8 (john) together with richie hawtin, few have helped shape the world of club and electronic music as we now know it. the past few years he has been at the top of his dj and production game helping shape and direct the electro house scene

since his past exquisite productions with donato dozzy on the releases metal slave and solidliquid on the label orange groove, brando lupi is joining dozzy records with his musical mastermind and diverse instrumental skills by unleashing the two most tripping, eccentric and brilliant tracks that will drive anyone insane

digital villains is lee mintram from the uk. busted speaker is a well jackin house track in all its glory. a slice of fresh club drivin music thats perfect for this label. combining the sounds of the past with the newest tricks and a touch of class. a2 for joeys remix steering far from his signature sound, it comes closer to what you might expect from a coupling of justin martin and jacob london with a very strange vocal. flip for joeys disco madness remix. a full side reminescent of the subliminal sound of around 1998 with the youngman touch added

fantastic new long player from the electro legend shad t. scott

with traces of melancholy and mystique, the modern and peculiar sound of saso recyd from macedonia has been captivating the attention of the pikiest of techno consumers in the past decade. saso has been working hardly on developing his own distinguishable sound which is coming along with phenomenal feedback. so it s no surprise that protagonists like patrick lindsey, marc romboy and even detroit s john acquaviva have picked up these tunes to play them frequently. besides this record release you should watch out for saso s upcoming release on definitive records too!

german producer francesco diaz with a little help from those young rebels! more famed for their funkier productions, the duo allow their darker selves to creep outof the studio delivering a dark, heavy synth-graced beauty, complete with a naughty spoken top line….as ever with joia, the remixes aint just on here to make up numbers – swiss producer danny freakazoid has been doing the business now for the past 2 years, an ever present in the circles of toolroom, cr2 and big love, he applies some of his trademark studio wizardry keeping the mood a cool shade of dark whilst stripping loose the vocal. the final mix, is superbly constructed by the ever talented john dahlbäck, slick bumpin electro vibes work alongside the chopped up vocal perfectly, tailor-made stuff for the forthcoming seasonof mayhem…

dont worry, christophe dalla-ca aka kiko is not interested in a seventies disco revival, even if the tongue in cheek reference to john travolta in the title track of this ep might imply that. on the other hand, the work released by the man from grenoble for such renowned labels as ozone, hot banana, goodlife and turbo has consistently shown that kikos interpretation of techno from the 2000s also includes a conscious reworking of past dance floor orientated electronic music. in this sense, kiko has succeeded in making three stand alone, coherent interpretations of a mutual meltdown of new wave, disco and elektro, with the tracks on the >tragolta ep<. whether he is impressing with the best possible mix of ebm and dave clarkes red series (30.1) or enchanting us with the continuously jewel like, dazzling melancholic melodies of >electric burst< or >tragolta<– the fact remains true that he perfectly supplements this approach to the sound cosmos of datapunk

after productions with sven väth and dj hell, anthony rother continues the tradition of mutual sound enrichment in an ingenious way, including the current publication for the sublabel datapunk limited. this time, no less than xenia beliayeva is involved, up to now the only female producer on datapunk thanks to her highly acclaimed >ultra glamour ep< of last summer. the 26-year-old muscovite by birth has regularly worked as a disk jockey already since 1996 and is considered as one of the hottest german dj insider tips since her support gig for kraftwerk at the zkm opening in karlsruhe. a part from brilliant breaks, xenias remix of rothers retreaded super space model hit >dont worry< is mainly characterised by the interplay of beliayevas and rothers voices, >love s gonna change your life for good<, who would have ever dared to doubt about that. with the flipside, rother once again did a solo revision of >roses<, available up to now exclusively on the cd version of the album >super space model<, and created a highly dynamic synthesis of classical datapunk sound and sporadically interspersed reminiscences of the romantic synthpop of the past century

kaskade recently did some massive remixes of david morales here i am and pussycat dolls dont cha. kaskade is a special breed ofhouse star, one who has increased in popularity over the past few years in an industry where most of the major players have at least a decade (often two) of stardom behind them. sorry is taken from kaskades third album love mysterious. though his trademark melodies, sensual vocalists, and emotionally driven sound remains intact, love mysterious is a bolder production and reflective of kaskade s growing acclaim and popularity worldwide. man of the moment dirty south did and amazing job on the remix, that rocked almost every party at miamis winter music conference

the sebo k and metro partnership makes its debut on get physical with >transit<: these upcoming house producers are so hot that this ep almost melts the vinyl that its pressed on! transit looks to the past and the future at the same time: inspired by old school chicago house but boasting a modern techno approach to arranging, the nagging bass riff at the heart of >transit< builds and builds along with sebo and metro s evocative chords to create a track that will raise the roof on any club during the peak time. >transit< never loses its raw, hypnotic groove either, and after it reaches a climax, the sparse, raw rhythm is still there, urging the dancers to keep moving. philly producer king britt dons his scuba hat to provide the remix: its more understated than the original version, based on an off-beat groove, but, like a thief slipping through an open door in the middle of the night, britts reshape gradually introduces the hypnotic chords. before you know it, his remix will have seduced any crowd who love deep, electronic house music. get a move on to pick up on this future house classic!

red 7 and get down are two of the bigger dancefloor tracks to be taken from the dat music compilation and the artists themselves have chosen two of their favourite techno producers to remix these specific tracks. the aim of dat music is to help bridge the gap between drum and bass and techno. all the artists involved in the dat music project have an undying affection for techno music past and present and strive to push the boundaries of drum in bass in all directions. with remixes of john tejada and nomadico for underground resistance his is the first of many non drum and bass releases on revolve:r

the irish is the only artist from cork who can claim to be part of the infamous stockholm electronic music scene known as the swedish invasion. long before making up one half of the successful techno house outfit dk7 - founded with partner jesper dahlbäck in 2003 -, mark, also known as the mighty quark or as mark and john when he produces with jespers cousin john dahlbäck, who moved to sweden in 1994, started to make music with various swedish artists perfecting his skills as an acoustically versed soundscape sculptor. with the prayer ep, marks first release on plastic city, o sullivan is returning to his dubby roots that made up an intrinsic part of him as a producer in the past as well - something that already shone through on his first two longplayers released on his own imprint king syndrome sounds. o sullivan, who is known for his world famous remixes and collaborations for and with leftfield, olaf hund, susuma yokota and digi dub

incl. rmx by henrik schwarz, the los angeles born and bred patrick has been concocting new musical flavors for the past five years in his newly adopted city, berlin, the electro capital of the world. his style? a racing, sensual electro track meets a smart, hard-hitting funk groove, and throw in a twist of warm soul vocal stylings while youre at it -- e voila! arriving in berlin, after a hiatus from music, he picks up some music software for the first time. his discovery of the software allowed him autonomy over the creative process that he was able to develop songs to his own liking…his first vinyl single release from the label stereo deluxe, contains two tracks from the soon to be released album, >this silence< and >loose< -- and a bomb-dropping remix of >loose< from henrik schwarz..

john acquaviva, julio navas and david amo have joined forces! having been at the vanguard of music & technology, creating the legendary label plus 8 (john) together with richie hawtin, few have helped shape the world of club and electronic music as we now know it. the past few years he has been at the top of his dj and production game helping shape and direct the electro house scene

the brights lights of the city of angels, vibezelect bring jt donaldsons gallery music group their first release for 2007. with past releases on amenti and dufflebag, vibezelects cory wells and jah ques continue to dominate with these two new joints. feel the world is a bleepy excursion into melodic optimish while i believe is a deep, bass driven vocal with a dub attached.

amazing, cold and mysterious science-sounds is probably the first words to come, when listening to this new piece of art from the dark caves of scandinavia. the consumer has returned with the 3rd ep which is again slightly different from past productions. your soul for access and financial advisory. drawing parallels to both the world of dopplereffekt and arpanet it still manages to be very different and the consumer has quite well establish his/her/their own sound based on different emotional feelings, techniques and creativity according to the use of analogue and digital expressions. perfect

played by anja schneider, chloe, dj t ... !! peter dildo, the man behind trackdown records has in the past 12 months delivered such dance floor bombs that it was an easy choice to ask him to rework >gravity<. peter delivers his phat trademark sound of deep-housemeets-postminimal in a slamming arrangement of fine tuned drums and hypnotic synthstabing. something we love to play, hope you too! nick chacona and his partner in crime, anthony mansfield from hector works/rong music fame takes the original mix through their new york disco mill and delivers a severe piece of doped up cosmic disco – only for the headstrong! last but not least the finnish old-school electro guys mr velcro fastener transforms the original into an 808 jam with vocal samples to a final climax

mario fabriani twisted and tweaks groovy disco samples over hard pounding, jackin house beats. 3 peak-time cuts

jake childs requires very little introduction to the more discerning house ear. with releases on leading labels including drop music, freerange and doubledown, not to mention his own uni.form imprints, he has taken the house world by storm over the past few years. here he serves up some retro chicago sounding yet stripped back jackers. seems really simple at first, a real trademark of jake s sound, but its bumpin bassline, bleeps and squelches grow around you becoming more intense with every listen. the flip delivers >good times< which incorporates his brand of choppy jackin beats, punchy snares, gritty synths and rolling bass that rips apart any dancefloor. the track flips mid-way and bubbles under as the bass lines compete for attention before recombining for another roof raising moment. the >beat machine< is an eerie voyage into the middle ground between house and pop. once again moody synths and a growling sub bass lead the way, with the haunting vocals of lil prince (who has previously featured on jake s icon and drop music eps) gliding over the mix! hot floor burning shit

still music is proud to present its first division past due. past due is a very special reissue label dedicated to the boogie down sounds of the 7ts and the 8ts. here is our first offering visions of tomorrow galaxy, a super funky, synth lad early 80s instrumental tune.this 12 comes with two stunning reedits by charles webster (miso) & francois a (buzzin’ fly, deeply rooted, still music) more to come soon

after the great debut album on bunker rec, electro legend luke eargoogle comes here with his second full length album on this new swedish label

first techno output by this collaboration between mario masullo, already known for his records on defrag and for his collaboration with g man, and maurizio martusciello, one of the pioneer and key figure in the italian electronic scene. woy out lines is a melting pot between different styles with an ear to the past and an eye on the future. on the a side a stylish minimal tune that present a solid, sophisticated groove with 303 pattern interaction and a melancholic and touching pad that give to this track a special taste that reject the abused micro techno trend. on the flip side dogon, here the 303 pattern is the body and the front of the track, the bass line is mind blowing and evolves floating during the whole arrangement, tribal voices, percussions and distorted synths to complete this energetic tune. m203 is a futuristic detroish track where the machines meet the softwares techniques to create an hybrid sound, the bass line is preminent but is well mixed with a lot of small details and concrete sounds. overall woy out lines is an eclectic and tasteful record

real cool funky & groovy techno & hardtechno. feat past master dj rush, who did a great >chicago soul mix< of >my bitch<. the ep has 3 more brill tracks

equipped with the past, celebrating the future was always an effective artistic strategy of creating striking ensembles. six years after their debut album >future< and four years since the last maxi >errorist< (both available on disko b), artist unknown, germany s cloak-and-dagger electro project is performing on anthony rother s datapunk label, which is currently expanding its content of electro music in all directions, like no other platform at this time. artist unknown covers itself with regards to their biography and presents selected pilgrim travels to kathmandu, guitar roadie performances for oasis and video stores in turku as its highlights

dj venom is one the producers behind of the latest incognito albums, and the album >equilibria< on far out recordings by the new brazilian diva sabrina malheiros, (daughter of alex from azymuth). been a regular at the arision s camp from the beginning with his alias vipersquad, he finally drops a visionary album, reworking some of the greatest tracks by marco di marco (from the album >my london friends< with guest like nathan haines on sax/flute) but also some jazz dance original classic like >par avion< or >bossa with regards<. on this 12inch sampler you find a masterpiece created in collaboration with big bang >bossa of the future<. it s an authentic piece of pure techno-jazz that slides from past to future with his jazzy double bass and his carl craig s styles synthetisers. on side b side there s the massive bossa reconstruction of >up west<, lost between the sax of mr nathan haines and the percussion of the quintet from >my london friends<, mr venom introduces his distinctive sounds, echoes of new jazz revolution

originating from the city of lille in northern france, terence fixmer has been one of the key protagonists in the connection of electronic body music in the style of front 242, klinik or nitzer ebb with modern techno since the end of the nineties. with releases on his own label, planete rouge, and the albums >muscle machine< (2001) and >silence control< (2006) on dj hell s label, international deejay gigolo, the 34 year old berliner-ofchoice is positioning himself at the cutting edge of a techno concept that is as aware of the past as it is relevant to the contemporary

>its only music< is the latest single taken from fuckponys debut album for get physical, >children of love<. if youre looking for a sound that encompasses the past, present and future of techhouse, here it is.

incl harmonic lovely anja schneider rmx !! plasmik are the brothers roman and marcel fritz. both originate from black forests finest city freiburg, located close to the swiss border. the time came, when both went different ways but now in 2006 the brothers hooked up with each other again in berlin and continued where they stopped ten years before. since then they are on the quest for that timeless sound, which fascinated both in their musical past so lastingly. the first results of their promising reanimated collaboration are the tracks >eight to nine< and <ahead>

hannais hais, the queen of french house is back. big support from kid massive, bob sinclar, cutee b, hardsoul, danny marquez, jamie lewis. following up the worldwide succes of jazz samba this summer & rosa nova, hanna hais is back whith her new single. atal have surprised in the past already a couple of times with their innovative releases, and with >jungo< they do surprise us again with something unexpected. produced by cutee b, >jungo< features sweet and sexy vocals by hanna hais over a brutal pounding broken beat styled groove that is topped with laminar synth lines and acid elements - different and innovative

finest detroit v/a with carl craig, common factor, chaz vincent and innerzone orchestra !!

gemischte elektronika mit gesang, von 4 talentierten damen. trauumerle platte mit rockigen elementen

with this the 3rd instalment of hells my definition of house series, two new massive gigolo old-school tracks are resurrected for the pleasure of a modern listening public. this time the blasts from the past are >searchin< by 33 1/3 queen and earth peoples >reach up to mars<. theres a fine line between classic and dated. hell knows this well and selects only for his series 12 >my definition of house< which were groundbreaking when they first appeared and still sound hot to twenty-first centaury ears. so keep your mind and ears open, for you never know what hell will dig up from the basement next. stay tuned for my definition of house pt. 4!

nice timeless deep techhouse tracks by morris brown back in stock !!!

swedish producer, musician & remixer aka future/past productions working with hakan lidbo, sophie rimheden, son of kite, etc. shuffled beats & electro house with remixes by stefan thor (aka folie, tomi kiiosk) & andreas tilliander (aka lowfour), reissue

starting his musical career at the age of 12, sharooz began playing guitar in punk bands in his native northern ireland during the mid-90s, before beginning to produce dance music and start djing around 1998. his first gigs took the form of live pas, playing alongside the likes of king unique, peace division and inland knights at the legendary smokescreen free parties. soon sharoozs djing profile began to rise, leading to gigs at space and cafe mambo in ibiza, turnmills in london and passion in coalville to name but a few. over the past 7 years sharooz has djed alongside such luminaries as pete tong, marshall jefferson, terry francis and even shaun ryder

with >monuments<, the label manager pär grindvik returns with a perfctionist statement. after a period of heavy touring, he has isolated in his studio to concentrate on finding a missing link - something that would spark his curiosity, something that could make him feel complete.with monuments, he resurrects memories of the past sounds and rhythms and place them in our near future. from the dynamic dokument< floating point, to the melting pot of >mnemonic<. he feeds us snares and shuffle we haven t heard for ages

2 originals + 2 remixes by haessleholm natives andreas hoerlen (future/past productions) & stefan thor (folie) hew more to the groove than his cliphop (raster-noton) & ljud (mille plateaux) albums. swedish producer andreas tilliander with proggy funked up techhouse !!!

wenn erfolg sexy macht, dann hätte ich gerne ein pin-up poster von dem duo. >doch doch< knüpft nämlich locker an ihre cocoon & kompass releases an

jark prongo have been releasing a series of smoking productions over the past couple of years and here is yet another one. this 4track ep kicks off with >rattlesnake< that has a wicked irresistible groove with hypnotic keys and bleeps that builds and builds. while the other 3 tracks are pure dj friendly cuts for every occasion... played by laidback luke & laurent garnier

mighty double lp release of the best from osunlades many production works and artists that he has worked with over the past 5 years released on his own label, yoruba records. featuring all the collectable first tracks released originally in new york

tresor has the pleasure to release joey beltram s outstanding new 2-track 12inch ep >code 6< - more original and inventive material from the beltram mind. way back in 1990, he released two of his very first maxis under the alias code 6, securing his place in the techno underground. this inspiration from the past opens side a with the first track >aumento<, signalling increase: increase in his signature drive of techno beats, rich in layered sonics, splintering high-hats and vocal samples that keep the lid on the box of bouncing sub-atoms in a techno nucleus. we can certainly thank joey beltram for keeping the underground alive and rave consciousness thriving

at the time of its original release in 1993, detroit techno producer carl craig was known mostly to a small circle of collectors in europe. his early releases on transmat and fragile had become cult classics on the techno underground. these were followed by a series of stunning releases on his co-owned retroactive label. 1993 saw carl launch his planet e label and he released an ep by 69 followed by an ep of material by art owner kirk degiorgio (future/past) and ed handley of the black dog (balil). it return it was agreed carl would record an ep for art - which became art 3. the new recordings included a dance floor stomper - >chicken noodle soup< and typically moody down-tempo grower >how the west was won< and an ambient end-piece >sleep<...

after the popular re-press of hiccups reworkz, toxic present another blast from the past back on wax.. drunk chicken !! this must be ze mig.ls biggest track ever.. 20.07.2006

real life testing reveals it all, therefore we have nothing to add to serafin s comment about the a side: >i have been playing this in virtually every set for the past couple of weeks, and the reaction of the crowds is simply amazing. this performs extremely well in a club setting, it sounds perfect (and loud!) on every system and people are responding to it instantly. i often extend this with the loop machine to well over 10 minutes, with an absolutely devastating effect. this is a bomb, trust me on this one!< on the flip switzerland s premier dirt funker agnès delivers one of his nasty treatments. the sthlm audio head pulls all the stops on this one: bass action from below underground, weird noises and nicely shuffled hihats compose a charming and warm piece of music, carrying a strange and deep atmosphere!

over the past 12 months the prolific zoo brazil have had releases on get physical, systematic, fine, harthouse and dessous. zoo brazil now kick off new tsuba offshoot, tsuba ltd, with a 2 track ep of driving electro-tech-house. dj support from: tiefschwarz, nic fanciulli, mike monday, geoffroy

empfohlenes release aus dem smallfish lager. tiefgehend & sinnstiftend, mit feinen chicago einfluss..

4 track 12 from the influential 70s kraut rockers includes their 1976 disco hit i want more

taken from vince watson s ablum here comes the 3rd sampler! it has taken vince watson a long time to get this far. so after 5 years he is on his 16th releases, which he brings to the world via his 4th artist album, his first on his own label, bio. his >echoes< world tour, sold out!!!